Our History

Outspoken Arts Scotland Ltd is the legacy of a movement that began with the foundation of the Glasgay! Festival in 1993, founded as a direct response the Section 28 legislation banning the promotion of homosexuality as an acceptable lifestyle.

Glasgay! launched on Saturday 30th October 1993. This lesbian and gay arts festival was the innovation of Cordelia Ditton, well known in national arts scene as a performer, writer, and co-director of Gay Sweatshop. The introduction of Section 28 in 1988 galvanised a whole new era of political and public agitation and resulted also in the founding in 1989 of the influential national lobbying group Stonewall.

Ditton herself had been involved in the campaign against Section 28. Ditton recognised that important local organisations such as the Glasgow branch of Switchboard already existed. However, it was her idea that a lesbian and gay arts festival, would make the lesbian and gay communities of Glasgow more visible. In 1991 she joined forces with Glasgow-based freelance arts administrator Dominic D’Angelo. Both were determined to to produce an arts festival that would show gay lifestyles and performers and work in a very, very positive light. The mission was to change public opinion about lesbian and gay people and to show the wealth of amazing work that was out there.

The 1993 Festival opened to huge acclaim garnering audiences of just over 26,000 attenders. However, there were hateful campaigns in the press, from Tory Councillors and members of the public de-crying the use of public money on such gay art. This backlash and the difficulties it faced caused two years of festival blackout – 1994 and 1996.

In 1995 Cordelia and Dominic stepped down and a new board of directors was convened and the charity Gala Scotland Ltd established. This company then carried forward the legacy and produced the festival from 1995 to 2014.

In its history the festival worked with many of the top gay and lesbian artists in the world. Names such as Sir Ian McKellen, Simon Fanshawe, Donna McPhail, Edwin Morgan, Jackie Kay, Rhona Cameron, Annie Sprinkle, Penny Arcade, Bette Bourne, Diamanda Galas, Neil Bartlett, Scott Capurro, Pam Ann, Four Poofs and a Piano, Lypsinka, Louise Welsh, Marc Almond, Alan Carr, Zoe Strachan, Stewart Laing, and John Waters are amongst the many others that have graced the festival stages.

The work of the festival was always dominated by the prevailing social climate in terms of acceptance, tolerance and understanding of LGBT rights, equality and the march of progress. That social progress has resulted in the repealing of Section 28 of the Government Act 1998; the Civil Partnership Act (2004) and The Equality Act (2010).
Glasgay! artists across the generations have presented work in various artforms that continually reflect social attitudes, behaviours and experiences of the LGBT community. The Glasgay! Festival was a place where LGBT life was acknowledged, celebrated and understood.

Over the 21 years of its history the festival was funded mainly on a year to year basis by the Scottish Arts Council and, subsequently its successor, Creative Scotland and Glasgow City Council. From 2007 to 2014 it enjoyed regular 3 year funding agreements from the Scottish Arts Council/Creative Scotland. In 2015 the Company was unsuccessful in its bid to become a new RFO client and the Board was asked to consider the future of the festival without the support of Creative Scotland.

The Company was also asked to consider its national role as a promoter of equality and the broader protected characteristics. It was clear that whilst the festival clearly enjoyed strong support in Glasgow the need to spread the message of equality, particularly to outer-lying communities was the principal challenge. The Company agreed to enter a period of funding transition and the board took the bold step of retiring the festival and renaming the charity, rebranding and re-purposing the mission.

The name Outspoken Arts Scotland was chosen to reflect the campaigning roots of the festival as legacy of a movement. A new mission was adopted to work in outerlying communities and to work across all, or most, of the protected characteristics. This transition period lasted for nearly two years 2015-2017 and the Company delivered a number of projects across that period.

The Company continues to be funded by Creative Scotland & Glasgow City Council and since 2018 by Renfrewshire Council.

Archives

The entire administrative, artistic, press & PR archive of the Glasgay! Festival 1993-2014 was transferred to Glasgow University’s Scottish Theatre Archive in Spring 2018.  This archive is still being catalogued and documented but reference to it should eventually appear at this link. http://special.lib.gla.ac.uk/STA/search/

 

See this link for Commissions, productions, presentations and a list of artists/companies who appeared.

Appendix N – Our History 1993-2014

Glasgay! 2014

GLASGAY! FESTIVAL
20 OCT-15 NOV 2014
www.glasgay.co.uk  |  https://www.facebook.com/Glasgay   |  twitter @glasgayfestival

Full Brochure – digital edition

In a year that the world came to Glasgow to celebrate the Commonwealth Games and the Year of Homecoming we bring you the 21st edition of Glasgay!.

This year we explore social, historical and contemporary taboos.  With the legal protection of the Equality Act (2010) and the arrival of the Equal Marriage Act 2013 as significant landmarks in our lives, we might ask is every aspect of LGBTQI peoples lives visible, accepted or understood.  For our multiple tribes, pursuits and interests the LGBTQI community have much to do in aiding wider social acceptance.

In our Commission Cardinal Sinne by Raymond Burke, directed by Grant Smeaton, we enquire into a fictional long running sexual abuse scandal in the Catholic Church.  What promises to be a merry romp of ludicrous litany this show at the Tron will certainly raise an eyebrow.  Also at the Tron, Andy Arnold directs  Colquhoun & MacBryde by John Byrne, the story of two of Glasgow’s forgotten famous painters.

We are joined this year by Hollywood legend, John Waters who brings Filthy World Vol2 to Glasgow.  This notorious film-maker who discovered Divine and gave us hit movies such as Hairspray, Pink Flamingos and Cry-Baby will certainly dish the dirt on Hollywood.

Visiting artist Ron Athey and Cryptic explore the body as art through music and photography in what promises to be searingly beautiful, disturbing and haunting works.  Stewart Laing directs a new production of Slope by Pamela Carter which explores the taboo love from historical times of French poets, Arthur Rimbaud and Paul Verlaine at the Citizens’ Theatre.

Our emerging artists Drew Taylor bring to The Arches Howl[ing] a poetic re-imagining of that famous Allen Ginsberg poem.  Rosana Cade in Lady Fingers & Empire Biscuits explores Britain’s legacy of colonialism and repression of India. Mark Kydd offers us his part confessional bio-play there were two brothers and Cardboard Fox present 1960’s Soho village theatre hit The Madness of Lady Bright and a new work about actor Charles Laughton. And hit group Village Pub Theatre join us for a 3 nights of eclectic new writing.

We’ve an exhibition of LGBT sports people – Sporting Heads.  Craig Hill, Stephen K Amos, Vikki Stone and Sara Pascoe big up the comedy programme and there’s a selection film at Glasgow Film Theatre.  See inside for talks, debates & club nights.  Enjoy!